The green screen is a Hollywood staple. Should it be? It’s easy to complain about overreliance on special effects, but for projects that require impossible-to-film environments or have incredibly expensive shots, how do you get the flexibility of green screens without the drawbacks? Charmaine Chan has worked on one of the possible answers. Vox's Phil Edwards spoke to her about her career and how it's at the forefront of a big technological shift. As a compositor for venerable effects house Industrial Light and Magic (ILM), she’s worked on films like The Last Jedi, assembling various digital elements into a beautiful,...
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